I normally don’t like the high-speed films but I’m trying to use what’s in my fridge, so here’s a few from a roll of Kodak T-MAX P3200 shot at 1600 and processed in HC-100.

As usual, this roll contained a few self-portraits, a few of Alice, and a few of “stuff”. My favorites are the ones taken in my dad’s garage.

My wife bought an awful, kitschy plastic lamp and set it on one of the floor speakers. I, of course, balked.

That was a week ago and somehow the lamp is still there. I hate the lamp, but I don’t mind the light that it throws against the wall, and my wife loves it and thinks “it’s adorable”. Who am I to judge?

I took a photo of it. It’s just another boring snapshot by a film photographer looking for excuses to finish the roll. It’s exposed the way I intended and it’s composed nicely, but it’s not a great photo. I love it anyway.

I’m trying to see how the Summilux 35mm ASPH feels on the film M. Running around indoors with a moving dog and poor light is either a terrible test or a perfect test. Anyway, here’s Alice.

This is a really nice camera.

Most of the shots on this roll were taken indoors in low light, so the Summilux was at either 1.4 or 2.0, meaning I missed focus quite often.

Some days I just really need to finish a roll. The photos of Alice relaxing in the sunshine reminded me how good film is at holding onto highlights. I feel like I couldn’t blow them if I tried.

I finally finished the roll that’s been idling in the M6 for a couple of months. I took it out of the camera only to discover it was a roll of Portra 400. Color, dammit. I didn’t have any fresh chemicals. The only reason I have some C-41 mixed is that I’ve been too lazy to dispose of it. Screw it, I thought, and fired up the JOBO anyway.

Surprisingly, they didn’t end up blank or completely unusable. The color is inconsistent, but that’s always the case with me and color processing. At least I proved that you can keep C-41 chemicals mixed for almost a year and still get images from your film.

Out with the new MP and a roll of HP5+. I think these are all shot with the 50mm Summilux ASPH