I hate scanning film negatives. Especially

color film negatives.

Scanning software is universally atrocious to use. Getting good color from scanned film is such a hit-or-miss (mostly miss) proposition that I’d largely given it up.

Many people are moving from using film scanners (flatbed or dedicated) to “scanning” with digital cameras. I’ve been skeptical of this, but ever since the introduction of Negative Lab Pro it’s become more interesting. NLP makes it easy to get decent color from a digitally scanned negative.