I brought a Hasselblad 60 megapixel medium format digital camera to Africa with me. I took photos side by side with my film camera. The digital camera’s images were sharper. They had more detail in both the shadows and the highlights. The digital camera made photographing very, very easy.

And I hated it. … In fact, had I photographed using a digital camera from the beginning, I’m not sure that I would have liked a single photograph that I had ever taken.

It’s always surprising to me how many frames I don’t screw up when using the meterless M3.

I’ve been a Flickr user since 2004 and a SmugMug user for nearly as long. For some reason, I prefer looking at my photos via online galleries rather than, say, my Photos library, and both Flickr and SmugMug have helped me do that.

I’ve also kept standalone static web galleries for the odd side project, such as a memorial to my dog Leeloo. Recently, I’ve been creating more of these, so I started looking for easier or better ways of generating static web galleries from a selection of photos. There are what feels like a thousand options. Everything from giant GUI apps to the nerdiest little command line utilities.

The Leica SL2 felt inevitable. After an almost accidental run with the Panasonic S5, which I didn’t enjoy at all, I tried going back to the Fuji system. I’ve always liked Fujifilm cameras and their classic control layout. I purchased a new X-T5 and a few nice lenses late last year, but it didn’t grow on me. The X-T5 is a great camera and I had nothing to complain about. Except it just didn’t give me The Feels. Not the way, say, a Leica does.

Long story, short, I sold my precious Leica M6 (Classic). I could no longer justify having two modern Leica M cameras, so I decided to keep the beautiful MP and pass the M6 on to someone else. I’m sure I’ll regret this. (It’s the second time the camera has been sold, but the previous buyer returned it, for spurious reasons). Onward!

Here’s the final frame I shot with the camera:

There are always cameras loaded with film scattered around my house. I don’t go out much, so sometimes I’ll pick up a camera and take a random photo just for the feel of it and to use up some film. These photos are almost always one of three things: Myself, my dog, or my desk/workspace.

Case in point, I recently finished the roll that’s been languishing in the M6 by taking the following mirror self-portrait.

I know that film photography and Emacs are completely unrelated, but I have been thinking about both of them quite a lot recently.

Since moving back to shooting film in 2003, I have regular thoughts of switching to all-digital again. It’s just easier. I have rooms full of “stuff” in support of film photography, and things would become so much faster and easier without all of that. A nice digital camera, a good RAW editor, an inkjet printer, and some hard drives, and I’m all set.

This has been a tumultuous week for me, photography-wise. Early in the week, I made this silver gelatin darkroom print of a 35mm frame of HP5 film.

It’s a photo of some weeds I took while out walking. That’s it. But I made it using my favorite camera and it’s a “real” chemical photograph on actual paper. I like it very much.

I like the way prints look with a small black border around the image, like this:

I know some people file their negative holders but that means no cropping and there’s no way I’m precise enough with framing to not crop about 90% of my images at least a little.

What I did instead is cut a piece of poster board ever so slightly smaller than my usual print size. I place this over the image after making the initial exposure and do one more quick 5-second exposure for the border.

I took the MP on my walk and was determined to shoot an entire roll. It was overcast, dreary, and the path I walk is pretty boring, but I did my best and made it through the roll.

This roll was shot at 800 and developed in HC-110 (Dilution B) for 7.5 minutes.