Photography

I recently found my original Fujifilm X100 in a box in our storage unit. I have such fond memories of the camera, so I knew I would enjoy using it, even today. I was surprised to learn that I didn’t enjoy it as much as I thought I would. It still feels great to carry, but it’s not quite as nice to actually use as I expected. It’s kind of slow. Slow to power on. Slow to focus. Slow to navigate. This shouldn’t bother me, as I often use old, manual-focus cameras and I’m used to working slowly. I guess the difference is that if I’m going ask the camera to do things, it should be faster than I am. The X100 isn’t. It’s not unusable, but it takes a bit of the joy out of using the camera. ...

I go through periods during which I don’t feel much like making “art” with my cameras. This is normal, but lately I haven’t felt like taking photographs at all. For example, I met my parents yesterday to celebrate Mother’s Day. This, being an Event™, prompted me to bring my two good cameras, one film and one digital. I wanted to be sure to make a nice record of the day in both formats. In the end, I took a single photo as we left. I took it with my iPhone. ...

While doing some spring cleaning this week, I ran into a box of old cameras that I had marked “To Sell” but forgot about. The box had an old Olympus digital and a bunch of beat-up OM-2n film cameras and accessories. This was neat, but what I was most exited about were two cameras in particular: An original Fujifilm X100 and an Olympus Stylus Epic. Here’s the Epic: ...

I brought a Hasselblad 60 megapixel medium format digital camera to Africa with me. I took photos side by side with my film camera. The digital camera’s images were sharper. They had more detail in both the shadows and the highlights. The digital camera made photographing very, very easy. And I hated it. … In fact, had I photographed using a digital camera from the beginning, I’m not sure that I would have liked a single photograph that I had ever taken. ...

It’s always surprising to me how many frames I don’t screw up when using the meterless M3.

I’ve been a Flickr user since 2004 and a SmugMug user for nearly as long. For some reason, I prefer looking at my photos via online galleries rather than, say, my Photos library, and both Flickr and SmugMug have helped me do that. I’ve also kept standalone static web galleries for the odd side project, such as a memorial to my dog Leeloo. Recently, I’ve been creating more of these, so I started looking for easier or better ways of generating static web galleries from a selection of photos. There are what feels like a thousand options. Everything from giant GUI apps to the nerdiest little command line utilities. ...

The Leica SL2 felt inevitable. After an almost accidental run with the Panasonic S5, which I didn’t enjoy at all, I tried going back to the Fuji system. I’ve always liked Fujifilm cameras and their classic control layout. I purchased a new X-T5 and a few nice lenses late last year, but it didn’t grow on me. The X-T5 is a great camera and I had nothing to complain about. Except it just didn’t give me The Feels. Not the way, say, a Leica does. ...

Long story, short, I sold my precious Leica M6 (Classic). I could no longer justify having two modern Leica M cameras, so I decided to keep the beautiful MP and pass the M6 on to someone else. I’m sure I’ll regret this. (It’s the second time the camera has been sold, but the previous buyer returned it, for spurious reasons). Onward! Here’s the final frame I shot with the camera: ...

There are always cameras loaded with film scattered around my house. I don’t go out much, so sometimes I’ll pick up a camera and take a random photo just for the feel of it and to use up some film. These photos are almost always one of three things: Myself, my dog, or my desk/workspace. Case in point, I recently finished the roll that’s been languishing in the M6 by taking the following mirror self-portrait. ...

I know that film photography and Emacs are completely unrelated, but I have been thinking about both of them quite a lot recently. Since moving back to shooting film in 2003, I have regular thoughts of switching to all-digital again. It’s just easier. I have rooms full of “stuff” in support of film photography, and things would become so much faster and easier without all of that. A nice digital camera, a good RAW editor, an inkjet printer, and some hard drives, and I’m all set. ...

This has been a tumultuous week for me, photography-wise. Early in the week, I made this silver gelatin darkroom print of a 35mm frame of HP5 film. It’s a photo of some weeds I took while out walking. That’s it. But I made it using my favorite camera and it’s a “real” chemical photograph on actual paper. I like it very much. ...

I like the way prints look with a small black border around the image, like this: I know some people file their negative holders but that means no cropping and there’s no way I’m precise enough with framing to not crop about 90% of my images at least a little. What I did instead is cut a piece of poster board ever so slightly smaller than my usual print size. I place this over the image after making the initial exposure and do one more quick 5-second exposure for the border. ...

I took the MP on my walk and was determined to shoot an entire roll. It was overcast, dreary, and the path I walk is pretty boring, but I did my best and made it through the roll. This roll was shot at 800 and developed in HC-110 (Dilution B) for 7.5 minutes.

I tried, I really did. The Wise Old Internet guided me into changing my film scanning process from a dedicated flatbed scanner to using a mirrorless digital camera setup. I did everything right. I bought good equipment and the right software. I hated it. To scan using my flatbed, I load the negatives, hit “Prescan”, confirm that things look ok and press “Scan”. I go do something else for a while and come back to a folder full of JPGs. I edit the files by adjusting contrast and cropping as needed in Lightroom or whatever and I’m done. ...

Here a few from a recent roll using the Leica M3 and the Leica 50mm Summilux-M ASPH. Mom and Dad. Leica M3 Dad playing mini-golf on the Quest. Leica M3 Molly. Leica M3 Michigan Fucking State. Leica M3

Dogs, myself, and cameras are about the only things I’ve been photographing lately. I just don’t seem to have any ideas. Well, that’s not true; I have plenty of ideas, but I’m too lazy to act on them. So, I sit around the house and shoot what’s in front of me. I need to snap out of it.

I watched the following video by Ramsey Spencer yesterday and I’ve been fuming about it ever since: What a load of elitist bullshit. I realize he’s just trying to make a name for himself so people “click Like and Subscribe, guys,” but grrrrrr! Don’t listen to him. Use what makes you happy. Use what makes sense for your photography and budget. If you’re like me, using Leica cameras makes you happy. I have spent an embarrassing amount of money on Leica lenses over the years, but I also use Sigma, Canon, and Voigtlander lenses on Leica bodies and they’re all great or fun or interesting or all of the above. ...