Here a few from a recent roll using the Leica M3 and the Leica 50mm Summilux-M ASPH.

I attended our annual family reunion in Newaygo this weekend. It’s always great to see everyone. I shot a roll of HP5 with the MP and 35mm Summilux.

Sometimes I notice the Leica M10-R sitting forlornly on my desk and I’m reminded that I don’t deserve it. A camera like that should be used, and used a lot. Mine mostly sits around waiting for me to take another selfie or photo of my dog. That’s a lot of money tied up in what most people do (and often better) with their phones.

I’m a rangefinder guy at heart. I’ve shot with one almost continually since 2003. The Leica M, whether film or digital, is IMO the pinnacle of camera design and construction. But…I often just want to have a camera with me for simple grab shots. You know, the one-handed snapshot of a friend at dinner. Or a macro of my dog’s toes. The M is not the camera for those. Not in my hands, anyway. So I long for auto-focus, and EVF, maybe even IBIS.

I just sold my wonderful Leica Q2 Monochrom. This was the second time I’ve owned a Q2M and the second time I’ve sold one.

The Q2M is a nearly perfect walk-around, everyday camera for someone who wants to focus purely on making black and white images. That describes me perfectly, for a while. I love B&W photographs and the Q2M makes them as good or better than anything available. I love how using a B&W-only sensor forces me to think in tones, shades, and lighting.

I had lunch with my parents recently and took a few photos with both my film and digital cameras. I shot about the same number of photos with each camera, with close to the same number of “keepers”. Which do I prefer?

I normally don’t like the high-speed films but I’m trying to use what’s in my fridge, so here’s a few from a roll of Kodak T-MAX P3200 shot at 1600 and processed in HC-100.

As usual, this roll contained a few self-portraits, a few of Alice, and a few of “stuff”. My favorites are the ones taken in my dad’s garage.

I’m feeling twitchy about owning the Leica M10-R.

The M10-R is an astonishingly good camera. World-beating build quality, timeless design, and a fantastic 40-megapixel sensor, all in a small, beautiful package.

Still available new in 2022 for an eye-watering $8,995 (I bought mine used), the M10-R is also a ridiculously expensive camera. Buying one is a big deal and a significant investment.

I am fortunate enough to also own Leica M film cameras, and being able to share lenses between those and the M10-R is very handy. And OMG those Leica lenses! The control layout and handling are the same as well. It’s like having both a digital and film platform for using 70 years of tiny, wonderful Leica lenses. I can carry a full film and digital arsenal with 2 bodies and lenses in a tiny bag.

My wife bought an awful, kitschy plastic lamp and set it on one of the floor speakers. I, of course, balked.

That was a week ago and somehow the lamp is still there. I hate the lamp, but I don’t mind the light that it throws against the wall, and my wife loves it and thinks “it’s adorable”. Who am I to judge?

I took a photo of it. It’s just another boring snapshot by a film photographer looking for excuses to finish the roll. It’s exposed the way I intended and it’s composed nicely, but it’s not a great photo. I love it anyway.

There’s a shutter speed dial with “A” as an option. There’s a numbered ISO dial (so you can see where it’s set even when the camera’s off). There are apertures on a ring around the lens. You focus the camera and the focus stays where you put it until you change it.

All you really need.

Mike Johnston

This is why I love the Leica M so much. Everything is right there, all the time. I never futz with settings or customizing dials or wondering which sub-genre of focus modes I need and how I get them.