Roll-062 (Leica M3/T-MAX P3200)
I normally don’t like the high-speed films but I’m trying to use what’s in my fridge, so here’s a few from a roll of Kodak T-MAX P3200 shot at 1600 and processed in HC-100. Zazette ...
I normally don’t like the high-speed films but I’m trying to use what’s in my fridge, so here’s a few from a roll of Kodak T-MAX P3200 shot at 1600 and processed in HC-100. Zazette ...
As usual, this roll contained a few self-portraits, a few of Alice, and a few of “stuff”. My favorites are the ones taken in my dad’s garage. Alice. (Leica MP. HP5 Plus. 90mm Elmarit-M) Dad’s workbench (Leica MP. HP5 Plus. 50mm Summilux-M) Self-portrait (Leica MP. HP5 Plus. 90mm Elmarit-M) Wall in dad’s garage (Leica MP. HP5 Plus. 50mm Summilux-M) ...
I’m feeling twitchy about owning the Leica M10-R. The M10-R is an astonishingly good camera. World-beating build quality, timeless design, and a fantastic 40-megapixel sensor, all in a small, beautiful package. Still available new in 2022 for an eye-watering $8,995 (I bought mine used), the M10-R is also a ridiculously expensive camera. Buying one is a big deal and a significant investment. I am fortunate enough to also own Leica M film cameras, and being able to share lenses between those and the M10-R is very handy. And OMG those Leica lenses! The control layout and handling are the same as well. It’s like having both a digital and film platform for using 70 years of tiny, wonderful Leica lenses. I can carry a full film and digital arsenal with 2 bodies and lenses in a tiny bag. ...
My wife bought an awful, kitschy plastic lamp and set it on one of the floor speakers. I, of course, balked. That was a week ago and somehow the lamp is still there. I hate the lamp, but I don’t mind the light that it throws against the wall, and my wife loves it and thinks “it’s adorable”. Who am I to judge? I took a photo of it. It’s just another boring snapshot by a film photographer looking for excuses to finish the roll. It’s exposed the way I intended and it’s composed nicely, but it’s not a great photo. I love it anyway. ...
There’s a shutter speed dial with “A” as an option. There’s a numbered ISO dial (so you can see where it’s set even when the camera’s off). There are apertures on a ring around the lens. You focus the camera and the focus stays where you put it until you change it. All you really need. Mike Johnston This is why I love the Leica M so much. Everything is right there, all the time. I never futz with settings or customizing dials or wondering which sub-genre of focus modes I need and how I get them. ...
All too often someone on a forum or blog will claim that the only reason to even have a Leica is to use Leica’s lenses. Hogwash! While certainly a fine reason, it’s nothing close to the only reason. The idea that one should never use non-Leica lenses on their Leica is nonsense. I have a few very nice Leica M lenses. I love them and they are my favorites. But I also have some non-Leica lenses in both LTM and M mounts. They’re fun and interesting and unique. They offer a different look than the Leica lenses. Mine are old, and nowhere near as technically capable as the stuff Voigtlander has been putting out recently. I don’t want those, anyway. I already have all the sharpness and micro-contrast and “pop” I can handle. I put older lenses on my M because it gives the photos a different feel. It can be nostalgic. Sometimes an image works better when it’s a little softer and has a smidge less contrast. ...
This roll was mostly me plinking around the house trying to get through a roll in the M6 before the MP is back from Leica. I love the 50mm Summilux very much.
I’ve used many wonderful film cameras from many different systems: From Nikon F to Hasselblad V to Linhof, Olympus OM, etc. They are all great in their own ways, but none of them comes close to making me feel the way I feel when picking up a Leica M camera. Sure, every film camera is essentially “a box for holding a lens and some film” but calling a Leica M “just another film camera” is to me like calling Jesus Christ “just another homeless dude”. ...
The Leica SL series of cameras are special, but not unique. I had an original SL and then bought the SL2-S when it was released. It’s a capable, well-built, beautiful camera. But, if I’m being honest, it’s just another mirrorless camera system. And it was very expensive. Purchased today, my kit, consisting of the SL2-S and the Leica APO Summicron 35mm and 75mm lenses would run close to $16,000. Um, who do I think I am? ...
Jess and I had lunch at Booyah’s in Muskegon. I had the Q2 Monochrom with me so I made a few snapshots.
I finished a roll in the MP today by taking a bunch of self-portraits in my basement “studio”. The shots in which you can see both my hands were triggered by stepping on the release bulb. Clever! 🙂 I really like the look of these. They were shot in my basement with a new canvas backdrop. I used two Profoto strobes. One with a softbox (octogon) to camera left, and a second with a reflector at camera right pointing at the backdrop. I’m learning. ...
First self-portrait with new Leica Q2 Monochrom
Once it a while, a 50mm lens on the Leica M3 is exactly the right thing. I finished the roll and had a ball doing it. Nothing great came out of it, but sometimes that happens. Gail Gail Steve at Hopcat with gift cards Steve at Hopcat with gift cards Moccamaster Moccamaster ...
I’m trying to see how the Summilux 35mm ASPH feels on the film M. Running around indoors with a moving dog and poor light is either a terrible test or a perfect test. Anyway, here’s Alice. Alice with her toys Alice Alice and “Gordo” Alice and Gordo Alice watching for something to bark at Alice in bed
Leica MP with 35mm Summilux ASPH This is a really nice camera.
Most of the shots on this roll were taken indoors in low light, so the Summilux was at either 1.4 or 2.0, meaning I missed focus quite often.
Some days I just really need to finish a roll. The photos of Alice relaxing in the sunshine reminded me how good film is at holding onto highlights. I feel like I couldn’t blow them if I tried. ...
I got to have lunch with Steve and Bryan at Founders. Here are a few snaps I took between beers. Founders exterior Pipes outside of Founders Founders Steve buying KBS at Founders Bryan shopping for T-shirts at Founders Fusionary Steve and Bryan in front of Founders
Charlie Charlie is 15 and has slowed down some, but can still be cute when he wants to be. I’ve been exploring color lately. I most often prefer black and white photographs, but I wonder if this is simply because I’m not good with color. I like the consistent, muted colors in this photo of Charlie.