Leica

My wife bought an awful, kitschy plastic lamp and set it on one of the floor speakers. I, of course, balked. That was a week ago and somehow the lamp is still there. I hate the lamp, but I don’t mind the light that it throws against the wall, and my wife loves it and thinks “it’s adorable”. Who am I to judge? I took a photo of it. It’s just another boring snapshot by a film photographer looking for excuses to finish the roll. It’s exposed the way I intended and it’s composed nicely, but it’s not a great photo. I love it anyway. ...

There’s a shutter speed dial with “A” as an option. There’s a numbered ISO dial (so you can see where it’s set even when the camera’s off). There are apertures on a ring around the lens. You focus the camera and the focus stays where you put it until you change it. All you really need. Mike Johnston This is why I love the Leica M so much. Everything is right there, all the time. I never futz with settings or customizing dials or wondering which sub-genre of focus modes I need and how I get them. ...

All too often someone on a forum or blog will claim that the only reason to even have a Leica is to use Leica’s lenses. Hogwash! While certainly a fine reason, it’s nothing close to the only reason. The idea that one should never use non-Leica lenses on their Leica is nonsense. I have a few very nice Leica M lenses. I love them and they are my favorites. But I also have some non-Leica lenses in both LTM and M mounts. They’re fun and interesting and unique. They offer a different look than the Leica lenses. Mine are old, and nowhere near as technically capable as the stuff Voigtlander has been putting out recently. I don’t want those, anyway. I already have all the sharpness and micro-contrast and “pop” I can handle. I put older lenses on my M because it gives the photos a different feel. It can be nostalgic. Sometimes an image works better when it’s a little softer and has a smidge less contrast. ...

This roll was mostly me plinking around the house trying to get through a roll in the M6 before the MP is back from Leica. I love the 50mm Summilux very much.

I’ve used many wonderful film cameras from many different systems: From Nikon F to Hasselblad V to Linhof, Olympus OM, etc. They are all great in their own ways, but none of them comes close to making me feel the way I feel when picking up a Leica M camera. Sure, every film camera is essentially “a box for holding a lens and some film” but calling a Leica M “just another film camera” is to me like calling Jesus Christ “just another homeless dude”. ...

The Leica SL series of cameras are special, but not unique. I had an original SL and then bought the SL2-S when it was released. It’s a capable, well-built, beautiful camera. But, if I’m being honest, it’s just another mirrorless camera system. And it was very expensive. Purchased today, my kit, consisting of the SL2-S and the Leica APO Summicron 35mm and 75mm lenses would run close to $16,000. Um, who do I think I am? ...

Jess and I had lunch at Booyah’s in Muskegon. I had the Q2 Monochrom with me so I made a few snapshots.

I finished a roll in the MP today by taking a bunch of self-portraits in my basement “studio”. The shots in which you can see both my hands were triggered by stepping on the release bulb. Clever! 🙂 I really like the look of these. They were shot in my basement with a new canvas backdrop. I used two Profoto strobes. One with a softbox (octogon) to camera left, and a second with a reflector at camera right pointing at the backdrop. I’m learning. ...

Once it a while, a 50mm lens on the Leica M3 is exactly the right thing. I finished the roll and had a ball doing it. Nothing great came out of it, but sometimes that happens. Gail Steve at Hopcat with gift cards Moccamaster Self-portrait with M3 Alice

I’m trying to see how the Summilux 35mm ASPH feels on the film M. Running around indoors with a moving dog and poor light is either a terrible test or a perfect test. Anyway, here’s Alice. Alice with her toys Alice Alice and “Gordo” Alice and Gordo Alice watching for something to bark at Alice in bed

Leica MP with 35mm Summilux ASPH This is a really nice camera.

Most of the shots on this roll were taken indoors in low light, so the Summilux was at either 1.4 or 2.0, meaning I missed focus quite often.

Some days I just really need to finish a roll. The photos of Alice relaxing in the sunshine reminded me how good film is at holding onto highlights. I feel like I couldn’t blow them if I tried. ...

I got to have lunch with Steve and Bryan at Founders. Here are a few snaps I took between beers. Founders exterior Pipes outside of Founders Founders Steve buying KBS at Founders Bryan shopping for T-shirts at Founders Fusionary Steve and Bryan in front of Founders

Charlie Charlie is 15 and has slowed down some, but can still be cute when he wants to be. I’ve been exploring color lately. I most often prefer black and white photographs, but I wonder if this is simply because I’m not good with color. I like the consistent, muted colors in this photo of Charlie.

I don’t have anything interesting for today, so here are a handful of images made around the house using the SL2-S and various lenses. Dog poop can Alice and my footprints in snow from morning walk. Leica APO-Summicron-SL 75mm Leitz Focomat V 35 enlarger. Sigma 24-70 f2.8 Art. Mirror self-portrait. Leica 90mm Elmarit-M f2.8 Dinner. Sigma 24-70 f2.8 Art.

I finally finished the roll that’s been idling in the M6 for a couple of months. I took it out of the camera only to discover it was a roll of Portra 400. Color, dammit. I didn’t have any fresh chemicals. The only reason I have some C-41 mixed is that I’ve been too lazy to dispose of it. Screw it, I thought, and fired up the JOBO anyway. Surprisingly, they didn’t end up blank or completely unusable. The color is inconsistent, but that’s always the case with me and color processing. At least I proved that you can keep C-41 chemicals mixed for almost a year and still get images from your film. ...

A roll of mostly self-portraits taken in the basement “studio”. A black cloth backdrop, Profoto strobe with an octobox on left, and a led panel off to the right. Washing negatives. Leica MP. HP5 Plus. Self-portrait with weird lighting. Leica MP. HP5 Plus. Darkroom bathtub after printing. Leica MP. HP5 Plus. Self-portrait. Leica MP. HP5 Plus. Camera identification selfie. Leica MP. HP5 Plus.