Film

My 1962 Minolta Autocord has seen better days. I had an expired (in 2006) roll of Kodak BW400CN (C-41) film in 120 so I figured I didn’t have much to lose. The film looks ok, but the camera scratched the hell out of it on the way through. And the frame spacing was all over the place, including a couple of frames with no space between them. The old Autocord was fun to shoot, but I think it’s time for it to retire. It looks cool on the shelf, so that’s something. ...

The little Leica IIIf is adorable, tiny, and capable. Built in 1946, it’s showing its age a bit. Also, it’s kind of a pain to use, so I only drag it out occasionally. I notice there’s also a light leak. This time I used a long-expired roll of Ilford XP2 Super.

I exercised the M6 by running a roll of Portra 400 through it, as it’s been dormant since I bought the MP. This was self-processed in Cinestill C-41 chemistry using the JOBO. Scanned on the V750 and processed in Lightroom with the Negative Lab Pro plugin.

I had the house to myself today, so I set up a backdrop and pulled out the strobes for a few large format film self-portraits using the Linhof. These were all shot with the Linhof Master Technika on HP5 Plus, developed in HC-110 for 5 min (Dilution B) and scanned on the V750. I triggered the shutter by biting the bulb. Try that with an iPhone ???? [ Self-portrait (2021) I can’t explain it

The Leica M3 is The One, when it comes to the Leica M line. I love it so. The higher-magnification viewfinder makes it easier to focus longer lenses, so I sometimes mount the Elmarit 90mm and it’s a fine combination. A few here are using the 90mm. The others are using the Summicron-M 50mm (v4). P The roll of HP5 Plus was processed in HC-110 (Dilution B) and scanned with SilverFast on the V750. ...

I was surprised to find that I had 55 rolls of various 35mm and 23 rolls of 120 negative film stocks just wasting away in my fridge. I mean, look at this treasure trove! Rolls of 35mm film from my fridge I’ve standardized on Ilford HP5 Plus for black and white film and Kodak Portra 400 for color. This doesn’t mean I won’t try something different occasionally, but those are my go-to films. ...

I’m trying to use up the rolls of expired TMAX 100 that have been taking up room in my fridge for a few years. I pulled the Nikon F3 out of a drawer, loaded batteries in the motor drive, and shot a roll. As usual, it was mostly photos of Alice and I around the house. The film was processed in HC-110 (Dilution B) for six minutes and scanned on the V750. The first couple were shot using the vaunted Nikkor 105mm f/2.5 AI-s lens, for what that’s worth. The others were taken with the Nikkor 28mm f2.8 AI-s. ...

I love the way the Zeiss lenses for Hasselblad render. The 80mm Planar has been my standard and favorite for years. I put a roll of Tri-X through it today, just for fun. Of course it was mostly shots of Alice, who poses patiently for me whenever I ask. Alice (2021). Hasselblad 500C/M. Zeiss Planar 80mm f2.8. Tri-X Big Linhof and the little Leica IIIf. ...

The gentleman who sold me the Linhof later sent me (at no charge!) a Grafmatic sheet film holder. The Grafmatic will hold up to 6 sheets of film at once and allows one to “rapidly” expose them. Here are some instructions. I loaded four sheets and went out on the deck with Alice to practice. As you can see, it didn’t go all that well. Loading film into the septums was easy enough. And racking the guts of it in and out to “advance” to the next sheet is something I’ll get used to. My problem was that I never advanced past the last frame I shot and then opened the dark slide, exposing and completely wasting one sheet and fogging the next couple. Other than the frontmost sheet, which was totally ruined, this was the worst of them. ...

There are too many things that can go wrong when shooting large format (4×5) film. I made four exposures of my friends Steve and Bryan this afternoon. Two of the four were ruined right off the bat: The first, because I’d left the shutter open when pulling the dark slide. The second because I didn’t expose it at all and processed as though I had. Large format is hard. There are so many opportunities to fail that making a successful image is really quite rewarding. Today wasn’t a rewarding day. Both of the photos that weren’t completely ruined were spoiled in other ways. ...

Mostly snapshots from our family reunion. Leica MP, HP5+.

Anyone who’s dabbled in large format photography knows the name “Linhof”. It’s one of those companies with a long history and a reputation for building some of the best 4×5 field cameras available. I’ve always been curious about them. Are they really “the Leica of large format”? My first 4×5 camera was a beat up Burke & James press camera. Then a beat up Crown Graphic. Then a Speed Graphic, and finally a Wista Field Camera. The first three were super cheap. The Wista was bit more serious, but it was such a beautiful wooden camera. ...

I’m either going to have to shoot this faster or stop drinking Diet Coke.

Leica Leica MP | Leica Summilux-M 50mm ASPH | Portra 400 400 Scanned with Epson V750. Cinestill C-41 Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB – Standard | WB: Auto-Neutral | LUT: Frontier

Sometimes it’s fun to throw a roll through the little Olympus Stylus Epic. Mostly self-portraits around the house because I was bored.

Now that I have my dream MP, I should probably sell the M6. If I do, this will have been the last roll I shot with it.

Out with the new MP and a roll of HP5+. I think these are all shot with the 50mm Summilux ASPH

Here are a few from the very first roll through the new Leica MP. (Sorry, I lost them)