Large Format

How I’m feeling about large format film photography

Self-portrait. Linhof Master Technika

The short version is that I have a love/hate relationship with large format film photography.

I love the detail and depth. I love the tonal values and focus fall-off that seem impossible with smaller formats. I love that I can decide on a frame-by-frame basis what film, developer, or process I’m going to use. There’s no waiting until the end of a roll. It’s as close to instant gratification as one can get when shooting film. I love the big negatives!

On the other hand, everything else about large format is a pain in the ass. I thought I’d do studio and environmental portraits when I bought my first 4×5 camera in 2013. I admire the portrait work of photographers like Judy Dater and Judith Joy Ross who worked primarily with large formats. It turns out I’ve only done a handful, and most of them are self-portraits. An example…

Self-portrait. Linhof Master Technika.

When they work, they really work. There’s nothing like it. But when they don’t, it just ends up being a giant waste of time and money. My “hit” rate is pretty low, so the net result is that I get very few images that I love and a lot more that are mediocre or worse.

And then there’s all the supporting gear needed. Loupes and dark cloths and tripods and hoods and releases and bags and film holders. Not to mention that printing 4×5 film requires a ginormous enlarger.

Film is expensive, large format film is more expensive. Per exposure prices are hovering around $2.25 for black and white and $5.50 for color. Then there’s all the gear for processing 4×5 sheets.

The more I think about it, the more I wonder if it’s all worth it. I guess if I could have a permanent studio with a camera mounted and ready to go, it would be easier to justify all the fuss. But setup and teardown introduces so many opportunities for failure that I’m less and less likely to bother.

Maybe one day I’ll decide it’s worth the trouble, but right now I’m thinking of leaving large format film photography behind.

When I feel the urge for smooth, high-detail film photography, I think that medium format (120) and the Hasselblad will do just fine, and without nearly as much fuss.

Large Format: Challenges

There are too many things that can go wrong when shooting large format (4×5) film.

I made four exposures of my friends Steve and Bryan this afternoon. Two of the four were ruined right off the bat: The first, because I’d left the shutter open when pulling the dark slide. The second because I didn’t expose it at all and processed as though I had.

Large format is hard.

There are so many opportunities to fail that making a successful image is really quite rewarding. Today wasn’t a rewarding day. Both of the photos that weren’t completely ruined were spoiled in other ways.

The above image was taken while facing into the sun. That was dumb. I was so flustered after accidentally exposing the first negative that I basically ignored the actual subject of the shot.

And the following image shows some blooming/flair around the overexposed decking and table areas. I’m not sure why it’s so severe. The lens may have been dirty.

Linhof Master Technika | Rodenstock APO-Sironar-S 135mm | HP5+ 400 Scanned with Epson V750 D-76 1+1

Oh well, I’ll just need to keep practicing because when it works, it’s awesome.