The Minolta Autocord

I’ve had this Minolta Autocord for so long I don’t remember where I got it. Or when, exactly.

My Minolta Autocord

Mine is a model RG-2 from 1962 with the Optiper-MVL shutter. I don’t know much else about the camera other than it’s fun but challenging to use. I keep thinking about taking it out for a spin but haven’t done that in a few years.

There’s more info about the Autocord at camera-wiki.org

Here’s an example from the camera. It’s me trying a self-portrait while wearing Mario jammies of course.

Self-portrait at home (2009). Minolta Autocord. Tri-X.

And then there’s this crazy thing…

Jack self-portrait with Gas mask (2010)

Doom Emacs from scratch

A week ago I decided to cancel Doom Emacs and go back to building Emacs from Scratch , and once again I was reminded what a terrible idea that is.

Seriously, stock Emacs, even with a leg up from Nano Emacs , gets so many things “wrong” that I could spend the rest of my life fixing things and still wanting more. I thought building from scratch would help me avoid Configuration Fatigue . Wow, was I wrong.

So, back to Doom. I started from scratch with the usual…

git clone --depth 1 https://github.com/hlissner/doom-emacs ~/.emacs.d~/.emacs.d/bin/doom install

Then I edited init.el and enabled just a few non-stock things. “Zen” mode, org-journal, and pandoc-mode. Otherwise, it’s right out of the box.

I copied the gotta-haves from my original config.el. Most of these are around file paths, Org mode, and LaTeX. Plus a few of my favorite key bindings. Otherwise, I left it alone. So far.

Doom Emacs is simply too good to pass up. It handles all of the little behavioral and visual tweaks that would otherwise take forever to learn about and modify on my own. Half of the things it does for me I just expect to be part of Emacs, and am surprised when I find they’re not.

I’m still using the default Doom theme, which isn’t my favorite, but I’m trying to resist farting around with that for at least a couple of days while I get settled back in.

Book logging in plain text

Of all the ways I’ve logged books, I’m thinking that plain text remains the best. I’ve been adding books to a text (Markdown) file for while now and it’s not pretty, but it works. And it will always work.

I publish a copy at www.baty.net/books  books.baty.net

Like I said, it ain’t pretty. On the other hand, I use it regularly by simply running little searches. If I want to know how many books are read in 2020, it’s just grep 2020- books.md | wc -l and I get 14. To see the actual books, it’s even easier: grep 2020- books.md which gives me this:

A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books by Nicholas A. Basbanes (2020-01-05) | ★★★★
How to Do Nothing by Jenny Odell (2020-02-05) | ★★
The Instructions by Adam Levin (2020-02-15) | ★★★★
The Wisdom of Insecurity by Alan W. Watts (2020-03-06) | ★★
American Dirt by Jeanine Cummins (2020-03-09) | ★
Recursion by Black Crouch (2020-04-05) | ★★★
Devoted by Dean Koontz (2020-04-23) | ★★★
The Soul of an Entrepreneur by David Sax (2020-05-04) | ★★★
Shakespeare for Squirrels by Christopher Moore (2020-06-09) | ★★★
Network Effect (The Murderbot Diaries, #5) by Martha Wells (2020-06-24) | ★★★★
Dark Matter by Blake Crouch (2020-07-19) | ★★★★
The Permanent Portfolio by Craig Rowland (2020-07-22) | ★★★
More Effective Agile by Steve McConnell (2020-10-10) | ★★★
Futuristic Violence and Fancy Suits (Zoey Ashe, #1) by David Wong (2020-12-27) | ★★★★

Or, how many books have I read by Christopher Moore? grep 'Christopher Moore' books.md:

Coyote Blue by Christopher Moore (1999-01-01)
The Lust Lizard of Melancholy Cove by Christopher Moore (1999-01-01)
The Griff: A Graphic Novel by Christopher Moore (1999-01-01)
Lamb: The Gospel According to Biff, Christ’s Childhood Pal by Christopher Moore (2008-12-24)
Island of the Sequined Love Nun by Christopher Moore (2009-03-12)
A Dirty Job by Christopher Moore (2010-12-28)
Bloodsucking Fiends by Christopher Moore (2010-12-28)
The Stupidest Angel by Christopher Moore (2011-01-01)
Secondhand Souls by Christopher Moore (2015-11-12)
Noir by Christopher Moore (2018-05-15)
Shakespeare for Squirrels by Christopher Moore (2020-06-09) | ★★★

It’s not perfect, and leaves out any kind of social discovery, so I also enter books in both GoodReads and StoryGraph , which honestly only takes a few minutes per book so it’s hardly a burden.

I love that my plain text book log is so lightweight and simple.

Keeping the Leica SL

I was supposed to sell the Leica SL once the SL2-S arrived. I almost did it, too. It’s technically still listed for sale in a couple of places, but I’m not ready to get rid of it yet. I mean just look at it.

The Leica SL is five years old and still a wonderful camera. If I’m being honest, the brand new SL2-S is better, but not that much better. I’m keeping the original because it’s awesome and it’s worth more to me to have around than the money I could get for it. This calculus could change, of course, but it’s kind of amazing that I have an extra SL available. I don’t see the APO-Summicron-SL 35mm ever coming off the SL2-S, so it’s great that I can keep one of the M primes or the Zoom lens on the SL without having to switch lenses.

Another benefit of keeping the SL is that I can take it places I might not take the newer one. It seems silly to call the SL my “beater” camera but that’s how I’m thinking of it. If I drop or lose or have the SL2-S and Summicron stolen, I’m out a very significant amount of money. With the SL and cheaper lens it would still really hurt, but less. The SL has GPS built in and the SL2-S does not, which is handy for if and when I actually do go places again.

I no longer have a camera to use for scanning film , since I sold all my Fuji gear. I’m thinking about finding a cheap Nikkor macro and adapter and using the SL for the scanning station. Not an ideal use for such a fine camera, but should work well.

And finally, I get a little emotional about cameras. I sold the M10-P and hate myself for it, even though it was necessary at the time. I’m thinking that if I don’t have to sell the SL, why not keep it around for a while?

I have had thoughts about finding a used Leica Monochrom. If I get serious about that I’d need to sell the SL to help fund the M. In the meantime, the SL won’t go to waste.

UPDATE (February 24, 2021): I sold the SL. Could not resist trying a Q2 Monochrom.

It’s not a good darkroom, but it works

My last house had a proper darkroom. It was a little janky, but there was a big sink, room for three enlargers, a wet side, a dry side, etc.

When I moved into my new house, I originally planned to turn an extra room in the basement into a shiny new darkroom. That didn’t happen, so I’ve been using the bathroom instead. It works fine.

Here’s my fancy darkroom.

The basement bathr…ehem…darkroom

The worst part of the whole thing is that tiny faucet. At minimum I should put in a tall one. As it is now, I need to fill a 1qt measuring cup, and then use that to fill containers. It’s a pain. The HomePod is nice because I can just tell it what to play in the dark.

Print washer

I don’t have a fitting for the faucet to run a hose into the washing tray, so I just let the faucet pour into it.

Film and print dryer

I ran some string across the shower to use as a hanger for drying prints and film. Works great.

Enlarging side

Here’s the meat of the operation. This is the bathroom closet, converted into the “dry side”. There’s room for this Leitz Focomat V35 enlarger. The V35 is a fantastic piece of equipment, but only enlarges 35mm film. I’m considering something that can do medium format as well. I have two 4×5 enlargers in storage but there is no way they’d fit. I can, however, make 4×5″ contact prints on 5×7″ paper. I love making those, so that should do.

Paper and supplies

There’s room for all sorts of photo paper and chemicals. I’ve only been making enlargements up to 8×10″ so some of this is no longer needed but I can’t bring myself to get rid of it. I also store my film scanner here.

Anyway, that’s it. That’s my darkroom. I was planning to not shoot any film in 2021 but I don’t think that’ll stick, so I dusted everything off and mixed up a fresh batch of chemicals in preparation for spending more time here.

I forgot I wasn’t going to shoot any film this year

It’s not that I made a promise or anything, but I had no intention of shooting film in 2021. I put away my scanning rig, stored the chemicals, and placed the cameras on a shelf.

I’ve been so excited by the new Leica SL2-S that I figured I’d just spend my time with that camera for a while. You know how I am, though. I picked up the M6 and saw that it was loaded with film and couldn’t help myself. That camera just begs to be used, once you touch it.

Anyway, I made a few mirror self-portraits, annoyed the dog, and documented the state of my desk. The usual mundane stuff one shoots when bored and holding a camera during a pandemic in winter.

I finished the roll of Tri-X, shot at ISO 800, and processed it in HC-110. I love HC-110 because it lasts forever on the shelf, and is easy to mix and use. I’m no longer experimenting with various developers and processes. They all look basically the same to me, and HC-110 is cheap and easy.

It remains to be seen how much film I shoot, but I’ve dusted off the gear and I’m ready for whenever the mood strikes.

The answer to “Whom should I let manage my photos?”

You’re lookin’ at him.

I’ve been asking myself, “Who[sic] should I let manage my photos? ” as a way to talk myself into letting Lightroom and the Adobe ecosystem take over the nitty gritty of file and library management. In the end, I couldn’t go through with it, so I remain in charge.

Yes, it can be a pain to deal with files, folders, storage, backups, naming, and so on. But, managing things myself is the way I’ve always done it. One of the most important things I “own” are my photos. Why would I give up any control over them? For now, at least, I’m not going to. I’m back to my process of culling, naming, tagging, and cataloging with Photo Mechanic Plus and editing in Capture One Pro.

So, 2021, here we come!

Who should I let manage my photos?

I have for many years kept my photos properly named and in a dated folder hierarchy on my hard drive:

/2020/12-December 2020/2020-12-02-Alice.dng

This requires that I import my photos from a card, then add metadata (Title and Caption), then rename them with the capture date and title, then put them into the proper folder, where they live forever. Whew!

Another step later in my process is to "burn" a copy of each edited RAW file to a JPEG that lives right beside the original. I also create a copy of the best photos in my "Digital Print Archive". The DPA is swept up and uploaded to Google Photos, Flickr, and my Synology, automatically. This gives me ways to share and organize them later. It also provides the content-based search and face recognition that is so handy.

It’s a good system. Solid. Future-proof. Backups are a known quantity.

But I’m tired of doing it. I’m tired of copying, moving, renaming, archiving, burning, etc. Basically I’m tired of managing everything myself. I edit my RAW files in Capture One Pro and deal with culling, naming, and distributing using Photo Mechanic. They’re great apps, but expensive and so flexible that I spend way too much time tweaking my process.

Some days, today for example, I’m tempted to import everything into the new Lightroom and let Adobe take it from there. This battle has been raging for a few years now and I cannot for the life of me settle it.

The truth is, Lightroom can be configured to keep all of the original RAW files on a local drive, in dated folders, automatically. This helps alleviate my fear of going all-in with cloud storage. I can’t rename files from within Lightroom, but at least I know they’re there. I’ve tried importing, culling, renaming in Photo Mechanic and then importing into Lightroom, but if I’m going to bother with all that I should just stick with C1.

Lightroom isn’t even close to Capture One on features, power, or flexibility. But it syncs my photos to all my devices, including my iPhone photos. I don’t have to do anything. That’s a huge benefit. 90% of my images can be processed just fine in Lightroom. If I want, I can always process the other 10% using Capture One (or Photoshop, I suppose).

This post is just me trying to talk myself into yielding to my lazier tendencies and moving everything to Lightroom. I’m still noodling on it, but don’t be surprised if there’s a new post soon about how I switched to Lightroom (again). Maybe then I’ll spend more time photographing and less time playing with my editing workflow.

(UPDATE January 3, 2021: Here’s the answer)

Who should I let manage my photos?

I have for many years kept my photos properly named and in a dated folder hierarchy on my hard drive:

/2020/12-December 2020/2020-12-02-Alice.dng

This requires that I import my photos from a card, then add metadata (Title and Caption), then rename them with the capture date and title, then put them into the proper folder, where they live forever. Whew!

Another step later in my process is to “burn” a copy of each edited RAW file to a JPEG that lives right beside the original. I also create a copy of the best photos in my “Digital Print Archive”. The DPA is swept up and uploaded to Google Photos, Flickr, and my Synology, automatically. This gives me ways to share and organize them later. It also provides the content-based search and face recognition that is so handy.

It’s a good system. Solid. Future-proof. Backups are a known quantity.

But I’m tired of doing it. I’m tired of copying, moving, renaming, archiving, burning, etc. Basically I’m tired of managing everything myself. I edit my RAW files in Capture One Pro and deal with culling, naming, and distributing using Photo Mechanic. They’re great apps, but expensive and so flexible that I spend way too much time tweaking my process.

Some days, today for example, I’m tempted to import everything into the new Lightroom and let Adobe take it from there. This battle has been raging for a few years now and I cannot for the life of me settle it.

The truth is, Lightroom can be configured to keep all of the original RAW files on a local drive, in dated folders, automatically. This helps alleviate my fear of going all-in with cloud storage. I can’t rename files from within Lightroom, but at least I know they’re there. I’ve tried importing, culling, renaming in Photo Mechanic and then importing into Lightroom, but if I’m going to bother with all that I should just stick with C1.

Lightroom isn’t even close to Capture One on features, power, or flexibility. But it syncs my photos to all my devices, including my iPhone photos. I don’t have to do anything. That’s a huge benefit. 90% of my images can be processed just fine in Lightroom. If I want, I can always process the other 10% using Capture One (or Photoshop, I suppose).

This post is just me trying to talk myself into yielding to my lazier tendencies and moving everything to Lightroom. I’m still noodling on it, but don’t be surprised if there’s a new post soon about how I switched to Lightroom (again). Maybe then I’ll spend more time photographing and less time playing with my editing workflow.

(UPDATE January 3, 2021: Here’s the answer )

The Leica APO-Summicron-SL 35mm f/2 ASPH

I recently bought a used, 5-year-old Leica SL . I didn’t buy any new lenses at the time, as I wasn’t sure I’d even like the camera. Turns out I liked the camera very much, so I ordered a Sigma 24-70 f2.8 zoom. I figured the zoom would cover my bases but I also bought the Leica M-to-L adapter so I could use my Leica M lenses.

The M lenses work flawlessly on the SL, and are even easier to focus on it, given the super bright EVF and focus peaking. M lenses are wonderful, but they are manual focus only. I was using the Sigma zoom a lot and falling for the convenience of auto-focus. This got me thinking about prime lenses for the SL. I prefer primes in almost all cases and so the research began in earnest.

The Sigma zoom is fine, but I really wanted a Leica native SL lens. And I wanted a prime. But what focal length should I get? Since I can only afford one lens (by “afford” I mean sell off most of my other gear to pay for it), I opted for the APO-Summicron-SL 35mm f/2 ASPH . I can never decide which length I prefer, 50mm or 35mm, but I went with the 35 because I feel it’s just a tad more flexible.

I must admit that hearing Peter Karbe, Leica’s designer of the M and SL lens lines, say that the APO-Summicron-SL 35mm is his favorite Leica lens and that it might be the best lens Leica has ever made helped push me over the edge. You can listen to Peter go into glorious technical detail about the SL lenses for like an hour and a half in this video.

The lens arrived a few days ago and so far all I can say is that my first impressions are that it has easily exceeded my high expectations. It’s beautiful, and the construction and feel of it are just wonderful.

The SL lenses are significantly larger than the M lenses I’m used to. Here is a photo showing the size difference between the tiny, jewel-like Summicron-M 35mm f/2 ASPH and this new 35mm f/2 SL

Summicron-M 35mm f/2 ASPH vs the APO-Summicron-SL 35mm f/2 SL ASPH

A nice feature of the SL lenses is close focusing distance. The SL lenses are more useful close up. For example the SL can focus down to 27 cm while the Summicron-M can only get to within 70 cm. That matters a lot more often than one might think.

What about image quality? Good question. I don’t know much yet, as I’ve only been plinking around the house. What I do know is that the few images I’ve taken have looked fantastic. Most decent modern lenses make great images, but I have convinced myself that the files coming out of the SL with the APO-Summicron are somehow even better. To my eyes, they are noticably, meaningfully better, and that’s the only criteria I need.

Is the APO-Summicron-SL 35mm ASPH worth $5,000? Of course not. No one needs a lens like this. I certainly don’t. I mostly take photos of my dog or selfies or family snapshots, so there’s no point trying to justify the cost other than to say that it might be the best lens I’ve ever used. It feels fantastic. It looks fantastic, and, combined with the SL, it makes fantastic images and I’m very happy with it.