Photography

My 1962 Minolta Autocord has seen better days. I had an expired (in 2006) roll of Kodak BW400CN (C-41) film in 120 so I figured I didn’t have much to lose. The film looks ok, but the camera scratched the hell out of it on the way through. And the frame spacing was all over the place, including a couple of frames with no space between them. The old Autocord was fun to shoot, but I think it’s time for it to retire. It looks cool on the shelf, so that’s something. ...

Dogs, myself, and cameras are about the only things I’ve been photographing lately. I just don’t seem to have any ideas. Well, that’s not true; I have plenty of ideas, but I’m too lazy to act on them. So, I sit around the house and shoot what’s in front of me. I need to snap out of it.

The little Leica IIIf is adorable, tiny, and capable. Built in 1946, it’s showing its age a bit. Also, it’s kind of a pain to use, so I only drag it out occasionally. I notice there’s also a light leak. This time I used a long-expired roll of Ilford XP2 Super.

The best camera is the one you have with you. Unless it’s a shitty camera. In that case the best camera is the one you left at home. Idiot. Jack Baty, Twitter 2010

I exercised the M6 by running a roll of Portra 400 through it, as it’s been dormant since I bought the MP. This was self-processed in Cinestill C-41 chemistry using the JOBO. Scanned on the V750 and processed in Lightroom with the Negative Lab Pro plugin.

My repaired and overhauled Leica M4 was returned to me today. It’s beautiful, and with new shutter curtains and gearing, it works flawlessly. It’s so smooth! Apparently, most of the original lubricants had dried, which was making it a little catchy. Now it’s like butter again. Original (broken) Leica M4 shutter curtain So I currently have four beautiful Leica M cameras in perfect working order. They are (from left to right in the photo)… ...

I’ve been making 5×7″ prints for several years. I like small prints that are handy to toss around on the coffee table, are easily mounted in notebooks, and don’t take too much wall space (or storage). But I also complain a lot about the problems with viewing tiny Instagram photos on a phone. “Too small!” I’d lament. It got me thinking about making larger prints. I don’t mean crazy 16×20″ monsters that eat up ink, paper, space, and money. I was thinking maybe 8×10″ would be a nice, larger change of pace. ...

I had the house to myself today, so I set up a backdrop and pulled out the strobes for a few large format film self-portraits using the Linhof. These were all shot with the Linhof Master Technika on HP5 Plus, developed in HC-110 for 5 min (Dilution B) and scanned on the V750. I triggered the shutter by biting the bulb. Try that with an iPhone ???? [ Self-portrait (2021) I can’t explain it

The Leica M3 is The One, when it comes to the Leica M line. I love it so. The higher-magnification viewfinder makes it easier to focus longer lenses, so I sometimes mount the Elmarit 90mm and it’s a fine combination. A few here are using the 90mm. The others are using the Summicron-M 50mm (v4). P The roll of HP5 Plus was processed in HC-110 (Dilution B) and scanned with SilverFast on the V750. ...

A friend of mine mocked me for carrying a camera around my neck and I said, “I like to always have a camera with me.” and he held up his phone and said, “I always have a camera with me, too, see?” and I asked, “Does it take film?” and he laughed and said, “No, of course not.” and I said, “Then you don’t have a camera with you. You have a computer that can record images.” and I’m kind of a dick I guess. ...

My Leica Elmar 9cm collapsible lens was made in 1957, making it nearly 70 years old, and it shows. The front element is hazy, causing images to be very low-contrast. Here’s an example (mounted on the SL2-S)… Hazy self-portrait with Leica 9cm f/4 collapsible It’s like a real-world Instagram filter and I don’t care for it. If it were in better condition, I might like the overall softer look for portraits. ...

  Jonathan Slack: But this is not just about Chromatic aberration, as Peter Karbe explained to me, the lack of aberrations results in much more contrast at the point of focus than in an ordinary lens, and that this contrast falls off very quickly in front and behind the point of focus. This means that an f/2 lens can appear to have the same depth of field as an f/1.4 lens (or even less in the case of the 75 f/1.4 compared to the 75 f/2 M lens). ...

I was surprised to find that I had 55 rolls of various 35mm and 23 rolls of 120 negative film stocks just wasting away in my fridge. I mean, look at this treasure trove! Rolls of 35mm film from my fridge I’ve standardized on Ilford HP5 Plus for black and white film and Kodak Portra 400 for color. This doesn’t mean I won’t try something different occasionally, but those are my go-to films. ...

I’m trying to use up the rolls of expired TMAX 100 that have been taking up room in my fridge for a few years. I pulled the Nikon F3 out of a drawer, loaded batteries in the motor drive, and shot a roll. As usual, it was mostly photos of Alice and I around the house. The film was processed in HC-110 (Dilution B) for six minutes and scanned on the V750. The first couple were shot using the vaunted Nikkor 105mm f/2.5 AI-s lens, for what that’s worth. The others were taken with the Nikkor 28mm f2.8 AI-s. ...

I love the way the Zeiss lenses for Hasselblad render. The 80mm Planar has been my standard and favorite for years. I put a roll of Tri-X through it today, just for fun. Of course it was mostly shots of Alice, who poses patiently for me whenever I ask. Alice (2021). Hasselblad 500C/M. Zeiss Planar 80mm f2.8. Tri-X Big Linhof and the little Leica IIIf. ...

The gentleman who sold me the Linhof later sent me (at no charge!) a Grafmatic sheet film holder. The Grafmatic will hold up to 6 sheets of film at once and allows one to “rapidly” expose them. Here are some instructions. I loaded four sheets and went out on the deck with Alice to practice. As you can see, it didn’t go all that well. Loading film into the septums was easy enough. And racking the guts of it in and out to “advance” to the next sheet is something I’ll get used to. My problem was that I never advanced past the last frame I shot and then opened the dark slide, exposing and completely wasting one sheet and fogging the next couple. Other than the frontmost sheet, which was totally ruined, this was the worst of them. ...

Take a look at this list from my notes about how I manage my photos: 2019-01-01 I’ve decided I’ll be using Lightroom CC. 2021-05-15 Don’t listen to 2019 me, I’m using Lightroom Classic 2021-06-03 Don’t listen to May 2021 me, I’m using Capture One now. 2021-08-12 Don’t listen to June 2021 me, I’m using Lightroom Classic again. 2021-08-15 Don’t listen to last week’s me, I’m using Capture One. Obviously, I struggle with which tool to use. I was certain I’d “permanently” settled on Lightroom Classic just a week ago. In my comparisons, Lightroom wins nearly every category. But there was this entry: ...

For example, currently, we don’t have likes. If and when we launch a feature in that vein, it’ll be private. We’ve intentionally avoided any public counts. We don’t want Glass ever to become a popularity contest. We’re not home for influencers. We are a home for photographers. Tom Watson – On my Om Wouldn’t it be nice to have a reasonable alternative to Instagram? I wish it could be Flickr, but I doubt that’ll ever happen. ...